Summary
Part of a set of cutlery purchased by Kath Davis for her glory box through British Products (a kind of lay-by system whereby girls paid off selected items on a monthly basis. Names were drawn out each month and the 'lucky' girls would receive their goods with no further payments required).
Kath Davis began collecting items for her glory box when she started work at 17, living with her parents in Traralgon, and had competed her collection by around 1940. This cutlery set was one of the first items she acquired for her box.
Physical Description
Two table knives, unserrated, Sheffield steel with bone handles (originally white). inscribed with "Sheffield made" and crown logo
Significance
Glory boxes represented a significant rite of passage for many women growing up before, during and after World War Two. They provide a material symbol through which can be explored themes of artistry, sexuality, economy and cultural maintenance. Of particular interest is how glory boxes can be used to track the growing consumer culture after World War Two and how there was a shift from the hand made to the mass produced. The traditions cross time and cultures.
Kath Davis's box is significant for the strength of its documented story, and for its completeness in terms of survival of both the box and its collection.
More Information
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Collecting Areas
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Acquisition Information
Donation from Ms Kath Davis, 18 Feb 2005
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User
Ms Kath Davis, Traralgon, Latrobe Valley, Gippsland, Victoria, Australia, circa 1937
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Inscriptions
On knife blade: STAINLESS CRAFTSMAN CUTLERY/SHEFFIELD MADE/SUPER/STAINLESS
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Classification
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Category
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Discipline
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Type of item
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Object Measurements
23.7 cm (Length), 1.9 cm (Width), 1.1 cm (Height)
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Maximum dimensions
400 mm (Length), 200 mm (Width), 12 mm (Height)
Measurement From Conservation. Dimensions of single knife
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References
Oral history interview, 2003 (disc and abbreviated transcript); references in 'The Glory Box: Origins, Symbols and Experiences', 1996 (masters thesis) and in 'The Glory Box: Marriage, Migration and Material Culture in Australia, 1930-1960' (phd thesis in progress) - all produced by Moya McFadzean
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Keywords