Photograph of the Mundabi family standing outside the Church of Christ in Shepparton with Pastor Robert Hough. The Federal government's Shepparton Humanitarian Pilot Scheme began in 2005 with the settlement of 10 families of Congolese origins. As of 2013 there are 23 families of Congolese origin living in Shepparton. Most of the Congolese arrivals are Christian and so have found solace and support from various local churches.

Nickel was born in 1965 in the Democratic Republic of Congo and was a teacher and artist when he was forced to flee in 2000 and seek refuge in Cameroon with his family. They arrived in Australia as refugees in 2009 and settled in Shepparton in northern Victoria. Nickel continues as a practising artist, while also working separate jobs and producing items for sale to support his family. He has exhibited his sculpture and paintings in a number of exhibitions. His artwork reflects both his traditional culture and the artistic influences of his grandfather, as well as more contemporary and abstract forms.

Description of Content

Three adults and two children standing outside a church building. The church sigan can be seen behind them: 'Church of Christ / Touching Lives to Make a Difference / If you have time to pray / God has time to listen / MINISTER / Pastor Robert Hough / SUNDAY SERVICE 10am / Church Office '

Physical Description

Digital scan of original photograph.


This collection represents a body of work by Shepparton-based, Congolese artist Nickel Mundabi Ngadwa who arrived in Australia via the Refugee and Humanitarian Program in 2009. The selection includes items made by Nickel in Kinshasa, Democratic Republic of Congo where he grew up, was educated and taught art; Douala, Cameroon where he created and maintained an artist's workshop and also in Shepparton where he is re-establishing himself as an artist. Nickel's inspiration originated from his grandfather who was also an artist. Two masks created by his grandfather are also included in this selection to demonstrate the continuation of traditional mask making and also the transfer of artistic inspiration and skill between generations. The objects and accompanying narrative provide an insight into the experiences of an urban based refugee in Africa as well as the experiences of a recently arrived refugee, regional settlement in Victoria, the challenges of adapting to a new society and artistic practice translated into a new environment.

More Information