Summary

Black and white digital photograph of Stanley and Lucy Hathaway on their wedding day in Coventry, England in 1938. The original photograph in its frame was brought to Australia by Lucy Hathaway when she migrated from England in 1951. It was always displayed on shelves in their lounge room.

Stanley and Lucy (nee Simmons) Hathaway and their daughter Hazel survived World War II in heavily bombed Coventry, England, remaining there until 1946. They attended the Victory in Europe Day (VE Day) celebrations there on 8 May 1945. The Hathaways relocated to Buckinghamshire (where second daughter Merle was born in 1948) and Hampshire between 1946 and 1951, finally deciding to migrate to Australia. They applied successfully to the Assisted Passage Migration Scheme but had to wait two years before departing, living and touring England in a caravan until departing on the 'New Australia' 17 November, 1951. They first stayed at the Bathurst Migrant Camp in New South Wales before being relocated to a housing commission estate in Ballarat, Victoria. Within six months they had purchased a block of land in Wendouree, living in a caravan while their house was built. The family became active members of the local Ballarat community, with Lucy working for the newly established McCallum House Centre for Retarded Children at Sebastopol and continued her strong interest in the Brownies and Girl Guides associations. They later relocated to Melbourne and then retired to Buninyong.

Description of Content

Man and woman wearing suits standing outside a building. Woman holds a bouquet of flowers and man has a lapel flower.

Physical Description

Black and white photograph.

Significance

This collection represents the experiences of thousands of post-war assisted migrants from England who brought with them memories of danger, sadness, courage, austerity and celebration in both tangible and intangible forms. This family survived one of the most severe bombings of any English city during World War II and brought with them material symbols of endurance and triumph in the Victory Day dress and Union Jack flag, symbols with almost universal resonance. The collection also includes items which tell stories about the goods migrants select in order to start new lives and the continued use of those items in Australia, the adventure of the ship voyage, and the seeking of familiar interests in a new community. This particularly relates to the family's ongoing participation in the Girl Guides. The collection also explores the theme of maintaining connections and loyalties to homeland, in this case through memorabilia relating to the British monarchy and exchange projects with former local communities.

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