Summary
Monochrome photograph of Lindsay Motherwell and a bandmate with their arms around each other, in front of a music stand which reads 'Barry Snow and the Snow Men,' 1952. Lindsay played with Barry Snow from 1952 during his travels in Rhodesia and South Africa.
Sylvia Boyes (a South African-born orphan) and Lindsay Motherwell (a Melbourne-born drummer) met in Cape Town, South Africa in 1967 through their theatre connections. They fell in love but due to apartheid laws were forced to leave South Africa to marry in London. They subsequently relocated permanently to Melbourne in 1970.
Description of Content
Two men with their arms around each other, in front of a music stand. In foreground is a woman with someone's arm around her, viewed from the back.
Physical Description
Monochrome photograph
Significance
Statement of Historical Significance:
This collection provides a significant opportunity to represent political and personal freedom as a motivation for migrating to Australia within the international context of both apartheid in South Africa and the end of the White Australia policy in Australia. The personal narrative is well documented and the objects provide a material way to follow the lives of both Lindsay and Sylvia, both separately and where they coincide in South Africa and onwards together to Melbourne. While this is ultimately a love story, it plays out through the collection against the backdrop of apartheid South Africa, sixties London and an increasingly multicultural Australia.
More Information
-
Collecting Areas
Images & Image Making, Migration & Cultural Diversity, Working Life & Trades
-
Person Depicted
-
Format
Photograph, Monochrome
-
Inscriptions
Reverse: 'Margate South Africa 1952' Stamp: 'HAPPY DAY TOURS PHOTOGRAPHY BOX 78 MARGATE'
-
Classification
Recreation & tourism, Performing arts - instrumental, Musicians
-
Category
-
Discipline
-
Type of item
-
Object Dimensions
88 mm (Width), 138 mm (Height)
-
Keywords
South African Immigration, Travel, Musicians, Jazz Bands, Immigration Policies, Apartheid, Racism, Drums, Performing Arts