Bronze art medal titled 'Hammer Thrower' by Melbourne sculptor Michael Meszaros, 1996. The naked figure recalls the classical compositions of the work of Meszaros' father, Andor, but the treatment and modelling are entirely contemporary. The figure is braced against the rim, and the rim describes the arc of the hammer as it is swung around the athlete's head.

Physical Description

Bronze medal depicting a naked man twirling a round object on a chain.

Obverse Description

Male hammer thrower, naked. Around, 'MICHAEL MESZAROS 96' [incised family symbol - abstracted unicorn bull looking backwards over its shoulder].


This is one of 44 art medals in the Museum's collection by Michael Meszaros, dated from 1960 through to 1987, which chart the evolution of a new phase of the medal tradition in Australia. While Australian medals have previously largely been commissioned works associated with official commemorations or major awards, these are personal artworks. In addition to their aesthetic value, they document nearly two decades of Australian life from a personal and popular point of view, drawing on cultural trends, sporting and leisure, and emerging issues such as environmentalism. This is a modern development in Australia, but it harks back to the European tradition, developed in the Renaissance, of medals as artistic works.

For over half a century, sculptors Andor (1900-1973) and Michael (1945- ) Meszaros have created medals that reflect the high points of life in Australia. From major awards and portraits of eminent Australians to artwork celebrating popular culture and the natural world, these objects illuminate our culture and history. Grounded in a centuries-old European art tradition, the medals create connections across disciplines and link such diverse subjects as scientific advances, religious themes, sport, the performing arts and motherhood. Through their public and private commissions and their personal artworks, the Meszaros sculptors have defined the modern Australian medal.

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